BAGUA FX

Discover Your Creative Force

The Creative Force enables inner clarity and an environment for the mind to become present.  It enhances you physically, emotionally, mentally and spiritually.  Each piece is energetically aligned to the subtle fields.

Creative Force Design enables inner clarity and an environment for the mind to become present.  It enhances you physically, eThis unique pendant design was inspired by my love of the great mystery of life and an unquenched curiosity to discover nature and Her secrets. The Creative Force pendant honors a lifelong quest to understand the subtle energies found in the natural world and their relationship to design, buildings, and the people who live in them.

 

This journey intersects the fields of archaeology, architecture, the physics of light and color, harmonia, acoustics, ancient texts, recent writings, and classic energy systems.  One common thread has been revealed to me throughout:  all cultures through eons of time have decoded nature through its wave characteristics, it's vibratory rate and frequency.

-- Shannon Hall

 

A Lifelong Quest To Uncover Nature's Ultimate Design

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All products shipped directly via The US Postal Service.

 

HAND MADE IN THE USA

CREATIVE FORCE WALL ART

Revealing A Natural Order

All cultures old and new have been using the refraction and deflection of light and energy based on the length and angle/azimuth of objects found on or in the earth/cosmos that interacts with the human subtle bodies. This interaction has a profound effect on us physically, emotionally, mentally and spiritually. Upon generations of observation, all of the cultures have found that some of these frequencies are beneficial to life and some are not. Beneficial frequencies, to a smaller or greater degree, have a centering effect.

 

The Centering Effect

Centering effect, what is that?  Well, the earth  and the universe emits energy and the living beings at the earth’s surface journey in and absorb it all the time.  It is an unseen set of cosmic and telluric patterns.  These patterns, along with cosmic and terrestrial vortices, in various unique places and compositions, are able to soften or dampen the perceived effect of time and space.  By doing that, it gives the body a sense of being timeless and present.  This, in turn, allows one to ‘pause’ mentally and to energetically connect with your creative self from your heart and throughout your body.  This is the beneficial, rejuvenating and sacred centering effect.

 

In the human body, there are different planes of existence documented by the ancient cultures. One can find it in the Buddhist, Celtic, Egyptian, Hindu, C/K/Qabbalistic, Sufi and the Taoist traditions among others. All of them agree that human beings are multidimensional or supra-sensible. By the  supra-sensible senses, our physical body has access points to the subtlest parts of ourselves - in the chakras. And most notably in modern use, Ayurvedic and Traditional Chinese Medicine/TCM have been using these gateways in their wellness methods since ancient times.  Recently, modern medicine and physics are beginning to rediscover this truth.

 

13 Planes

The pendant provides thirteen planes of existence, and it is never ending and forever cycling.  Why thirteen planes? Thirteen planes with great study were chosen for maximum intent. There are the three planes that anchor into the earth, the main seven planes within the human body, and the three planes reaching into heaven.  With the thirteen planes, you have  a solid bridge to heaven and earth. Recognized is the fact that we have many  more planes and sub-planes with thousands of chakras.  Thirteen planes are the minimum number for significant plane resonance to occur.  You are one being and with thirteen planes within the pendant, you are capable of absorbing  and resonating all of the visible and invisible color spectrum: Gray, Where Black and White meet, Black, Infra Red, Red, Orange, Yellow, Green, Blue, Indigo, Violet, Ultra Violet  White -Twelve plus One.  Magnetic Completeness.  A correspondence  can be drawn of The Christ and the Twelve Apostles, or how about the thirteen Sefirot, the thirteen notes of the full and inclusive chromatic musical octave, thirteen full moons to a year, thirteen buddhas, thirteen Chinese pagodas, thirteen in the design of the Great Gizeh Pyramid, thirteen objects of mystery forming a Japanese sword hilt, thirteen snake gods of Mexico, the thirteenth letter of the English Alphabet which is M or “mem” meaning mother as examples of many positive metaphors for the number thirteen.

 

Shannon Hall created a series of beneficial centering artwork, receiving registered copyright January 26, 2016, that is based on the I-Ching and its sixty-four hexagrams in the Xiantian/Pre-heaven or Fu Xi Arrangement. By bringing people back to their natural state, which is back to their center, being in resonance with the primordial energies - the original creative energy. The Spirit- can lovingly infuse the person with all the innate life energies so that life potentiality can work through the person without any obstructions. All levels of the being (body, emotion, mind, soul and spirit) can unite into one.

 

The Principle of Eight

The secret is the principle of the eight.  The eight is the Bagua,  which anchors one in the center through white light  and at one point, which is where balance occurs. This is when and where the Yin and Yang are equal and harmonious. All sixty-four hexagrams are grouped into sub-families of eight and are ordered into one of the archetypal eight divisions each which make up the one Bagua.  When the order is correct it glows the rainbow color sequence.  It is all the light and color needed for a balanced and healthy life.  If you look carefully, it is a mirrored reflection of the cosmic stars.  The Yin has met its Yang and vice versa - in balance and centeredness -the timeless Tao/Dao.  It rings out to your subtle bodies like a bell when worn, putting you in resonance with all of the archetypal and universal energies of Creative Force!

 

Materials & Methods

 

25mm clear glass magnifying cabochon

This is energetically aligned with the subtle fields.  It is an ancient material and has energetic properties.  Glass is a melding of the traditional four elements by fire, air and earth silica and is transmuted into a liquid only for it to return to a seemingly solid state.  The dome shape allows for it to focus the energies into its wearer.  It carries the energies of transformation, merging the energies of rebirth, focus, and communication. Silica is the most abundant element after oxygen.  When purified, it  enhances communication, the agility of thought and grace.  It is used to sharpen mental activity and focus.  It is also said to promote discrimination for the truth from conflicting information.  It enhances and accentuates positive energies for all situations.  It is known to be a “master healer”  and strengthens vitality.

 

25mm Sterling Silver bezel tray

Number 47 on the periodic table as Argentum. A non-ferrous metal which promotes magnetic beneficial energies.  It is a natural conductor of heat and electricity.  It can be used to charge objects.  It is said to manifest wealth, riches, and health.  Silver improves the quality of speech and brings eloquence to conversations.  It is a calming and balancing metal.  It reflects negativity and brings the wearer  more in tune with the universe.  It is a mirror to the soul.  Silver increases a strength of perception and provides a connection between the physical and the planes of existence. Through modern testing, it has a confirmed antimicrobial quality.

 

25mm Connector Series Art © 2016 Shannon Hall

Hexagrams: Each position on the circle has 5.625º or an arc for its domain.  Each circle hexagram is created from the 5.625º additively from equatorial North.  Each angle/azimuth is correlated with a hexagram meaning taken from the I-Ching.

 

Hexagram Position:

It is energetically aligned. Based on a longitudinal wave and utilizing a grid, eight by eight,  Shannon filled in the matrix using ‘hard’ or rigid archetypal energies of nature at the edges to ‘soft’ or  malleable archetypal energies of nature towards the center. The two most polarized energies are of heaven (masculine) and of the earth (feminine).  The  pair of thirty-two hexagrams energies were then arranged clockwise on each half of the circle from South to North to South.  Then, to mirror the cosmos, the arrangement was flipped 180º.  1/x = x/1 = 1.   In doing this flip it more closely resembled the lessons learned in physical radiesthesia, Harmonia and Feng Shui.  Ironically, this  woven arrangement is known as the Fu Xi Arrangement/Pre-Heaven Arrangement or  Xiantian Bagua.  So yes! While nothing new was invented and is at the very least over four thousand centuries old,  Shannon has very strong verification for her work processes.  There are many arrangements of the hexagrams out there  such as the King Wen Arrangement for instance, but it is this particular sequence identified that is the most accurate with the primordial archetypes due to the holistic approach of the natural science research.

 

The Composition and Proportion of the Work:

Drawing on the research of Plato/Tesla  369 Sequence and the Fibonacci Series, Shannon utilized the numbers that have a dampening or nodal effect for centering similar to the Golden Ratio of Phi 1.618.  Where the 3,6,9 Series numbers match the Fibonacci Series numbers along with another system, it reveals yet another series of numbers one can use to create the proper environment for centering in varying degrees of intensity.

 

Hexagram Colors:

This was developed by radiesthesia testing and again, verified by earlier documentation in: A History of the Chinese, Book III, by Xu Bing says:

 

…Then come the five sovereigns: First Fo-Hi, the inventor of the writing, to whom the Dragon transmits a roller on which there were drawings of the eight trigrams or the Bagua representing: The Sky, Male, black. Vapor, stagnant water, red. Fire, light, orange. Thunder, yellow, Wind , green, Water, blue, Mountains, indigo, Earth, Female, violet.

 

It was originally checked by the physicist, Louis Turenne utilizing physical radiesthesia and documented in his book: From the Rod to the Detector of Prospectors, Scientific methods for Checking All Natural Waves, 1942.  It is also documented a bit differently  by Christopher Hills in his book: Supersensonics, 1975. In those books, they both describe the colors in ‘order of disintegration’ (think the position of colors in the rainbow) and that it matched the Ancient Chinese descriptions!  This archetypal disintegration series was then used to create the color formulas of each hexagram, four colors each. Two colors of the electric realm and two colors of the magnetic realm creating a synthesized electro-magnetic color.

 

The Color Formulas:

These were painstakingly calculated using the Ancient Chinese musical ratios.  The Ratio was rediscovered/reconfirmed after the unearthing of the Zeng Hou-Yi Bells in 1978.  This  set of bells, the Bian Zhong, was buried in the tomb of Marquis Yi of Zeng in 433 B.C.  The Bian Zhong consist of sixty-four bells which are hung in three levels and are divided into eight groups.  This musical instrument was used to acoustically reconstruct the ancient musical scale which ultimately develops one hundred and forty-four musical notes that match their cosmology and astronomy observations throughout the year.  Finding the notes through a mathematical formula, the archetypal eight ‘Bagua’ notes were converted from Hertz to their corresponding octave in light waves to get their Angstrom number.  From that calculation, the result was then converted from Angstroms into Nanometers.  With the Nanometer number, a match could be made to the RGB color system (an additive system by light) and the CMYK color system (a subtractive system by pigment) which is the one we utilize in the printing industry. The result is a beautiful undulation of colors, in their proper position on the Fu Xi Bagua wheel.

 

19mm Shungite Disk

This is energetically aligned to the subtle fields on the back of the Creative Force Pendant. It is a Shungite sample.  What is Shungite? It is a black, lustrous, non-crystalline mineraloid consisting of more than 98% of carbon and the term has been used since 1879.  It was first described from a deposit near Shunga village in Karelia, Russia.  Shungite contains fullerenes.

Shungite has been used medically since the early 18th century.  Peter the Great of Russia set up Russia’s first spa in Karelia to make use of the water purifying properties of shungite.  Through modern testing, anti-bacterial properties have been confirmed as well. Other unique features are its shielding and electromagnetic absorption by geometrical and structural heterogeneities, and diamagnetic properties.  However, wearing just a small 19mm disk is not going to affect a significant modern and measurable physical change to your system.  It is there only as a sample for resonance on your subtle planes of existence and will result with a beneficial putative bioenergetic measurement. But because of these founded beneficial properties, the material is successfully being utilized in medicine, ecology, agriculture, water purification systems, metallurgy, chemical and construction industries.  Energetically and  metaphysically speaking it is being used as an earth-worker, a connection to the cosmic mother, a purifier, a transmuter, a modulator to coherency, an access to soul wisdom, a transition worker, and an unifier of opposites.

Glossary of  Terms:

 

369 Sequence

 

If you only knew the magnificence of the 3, 6 and 9, then you would have a key to the universe.

- Nikola Tesla

 

Shannon Hall could not find anywhere the true meaning but the hint at it’s importance lead her to added out a number sequence by  3, 6, 9, 12, 15, 18, 21, 24, 27, 31, etc through out the audible spectrum for her use in design.  She thinks it has to do with Plato’s monochord  harmonics, pitches produced by touching the string lightly at a given point while plucking it, only sound when the string is touched at a node, (it is all about finding the node) a point that is at a whole-number division of the string. Creating a node forces the string to vibrate in a limited mode. Prime-number divisions of the string ( 2, 3, 5, 7, 11 etc. ) all function by shutting off sectioning by other primes (one way of showing that powers of 2, 3, 5 and so on are incommensurable with one another). The privileged modes of whole-number divisions of the strings, as vibrational states, are discontinuous, and pitches “jump” from one harmonic to the next, with similarities to “quantum leaps” of energy, and to the whole-number behavior of electrons in the atoms of the elements (“Law of Simple Multiple Proportions”). The number of nodal points is theoretically unlimited, but smaller, evidently, than the number of “points” on the string-line, which include irrationals etc.

 

It also relates to the number/note 417 which resolves to 3 when you use Pythagorean reduction method. Each of the nine notes of the Perfect Circle of Sound which da Vinci encrypted in his Vitruvian Man cryptograph, deciphers to a 3, 6, or 9 which is Tesla and Aristotle’s ‘Miracle Set’. This is not by chance. This is fundamental metaphysical musical creationism. This music is the core music of universal creation. We now have this confirmed from experts in mathematics, physics, and more.

 

Ayurvedic Medicine

Ayurveda originated in prehistoric times, and that some of the concepts of Ayurveda have existed from the time of the Indus Valley Civilization or even earlier. Ayurveda developed significantly during the Vedic period and later some of the non-Vedic systems such as Buddhism and Jainism also developed medical concepts and practices that appear in the classical Ayurveda treatises. Humoral balance is emphasized, and the suppressing of natural urges is considered unhealthy and claimed to lead to illness. Ayurveda names three elemental substances, the doshas (called Vata, Pitta and Kapha), and states that a balance of the doshas results in health, while imbalance results in disease. Ayurveda has eight canonical components, which are derived from classical Sanskrit literature. Some of the oldest known Ayurvedic texts include the Suśrutha Saṃhitā and Charaka Saṃhitā, which are written in Sanskrit. Globalized and modernized practices derived from Ayurveda traditions are a type of complementary or alternative medicine. In the Western world, Ayurveda therapies and practices (which are manifold) have been integrated in general wellness applications and as well in some cases in medical use.

 

Bagua

The Bagua means literally: "eight symbols", or Pa Kua, are eight trigrams used in Daoist cosmology to represent the fundamental principles of reality, seen as a range of eight interrelated concepts. Each consists of three lines, each line either "broken" or "unbroken," respectively representing yin or yang. Due to their tripartite structure, they are often referred to as "trigrams" in English.

 

bioenergetic

The biology of energy transformations and energy exchanges (as in photosynthesis) within and between living things and their environments

 

cosmic patterns

Relating to  an electric current which is detected on the earth’ surface; influence of this current on the habitat and the inhabitants. and originates from space and other celestial bodies.  Reference:  M. Metler  - Netzgitter - Handbuch (1982), Stephan Cardinaux - Geometries Sacred Tome 1 & 2 (2004).

 

Becker/Brass grid system:

Named after the master carpenter and avid dowser Anton Benker, the Benker grid is a spatial system comprised of rows and columns of cubes with a length and breadth measurement of 10 meters (32’9.7”) and can be as wide as 1 m (3.28 ft.). It is also referred to as the 10 Meter System and the Benker Cubical System. Each cube is electrically charged and the polarity changes from one cube to the next. A positively charged cube should support and encourage life processes, but it can have the opposite effect if exposure is excessive. Similarly, negatively charged cubes usually have a calming effect but can also extract energy from the body if exposure becomes excessive. Electromagnetic influences distort and amplify the intensity and spread of the Benker grid.  Researchers have also proposed that, like the Curry grid, the Benker grid is the result of cosmic influences and not of radiation from the Earth’s interior.

 

Curry/Wittmann/Iron grid system 1950:

This grid is named after Manfred Curry, an American doctor born in Munich in 1899. Although the grid is named after Curry, who published it in 1952, it was actually discovered by Siegfried Wittmann in 1950.  The Curry grid runs diagonally to the Hartmann global grid. Its lines measure between 12 and 16 inches in width and are spaced between 8 and 11.5 feet apart. Like the Hartmann grid, the Curry grid also encompasses the entire Earth. Moon cycles influence the intensity of the Curry grid. At full moon, energy levels are particularly strong where it intersects with the Hartmann Grid. Some maintain that if it also crosses an underground waterway at that point, it becomes especially dangerous for people. During the day, its intensity wanes, but at night it can lead to insomnia. Experts believe that the Curry grid originates from cosmic radiation rather than radiation coming from the Earth.

 

 

deflection

In physics, refers to the change in an objects' acceleration as a consequence of contact (collision) with a surface or the influence of a field. Examples of the former include a ball bouncing off the ground or a bat; examples of the latter include a beam of electrons used to produce a picture, or the relativistic bending of light due to gravity.

 

Feng Shui

Is a Chinese philosophical system of harmonizing everyone with the surrounding environment. It is closely linked to Daoism. The term Feng Shui literally translates as "wind-water" in English. This is a cultural shorthand taken from the passage of the now-lost Classic of Burial recorded in Guo Pu's commentary: Feng Shui is one of the Five Arts of Chinese Metaphysics, classified as physiognomy (observation of appearances through formulas and calculations). The Feng Shui practice discusses architecture in metaphoric terms of "invisible forces" that bind the universe, earth, and humanity together, known as Qi. Historically, Feng Shui was widely used to orient buildings—often spiritually significant structures such as tombs, but also dwellings and other structures—in an auspicious manner. Depending on the particular style of Feng Shui being used, an auspicious site could be determined by reference to local features such as bodies of water, stars, or a compass. Qi rides the wind and scatters, but is retained when encountering water.

 

Fibonacci Series

In mathematics, the Fibonacci numbers are the numbers in the following integer sequence, called the Fibonacci sequence, and characterized by the fact that every number in it is the sum of the two preceding ones:

1,1,2,3,5,8,13,21,34,55,89,144, etc.

2,2,4,6,10,16,26,42,68,110, etc.

3,3,6,9,15,24,39,63,102,165, etc

Shannon created tables of the Fibonacci Series from 1-9 for her use in design.

 

Fibonacci proportions converging to phi inside a harmonic standing wave!

Intrinsic to the process of perfect dampening are the qualities of symmetry, reflexivity and whole number structure of space.  But it is the force of natural dampening that provides coherence and prevents “overly exuberant” resonance from forming fractal waves.  Beginning with the 13th convergent gap at the ratio about 1.3, the golden ratio acts as a kind of physical container to keep standing waves from simply exploding.  Pythagoreans scholars and alchemists during the 15th century were well aware of the significance of such secret harmonic numbers.  They would have known by adding .007 onto the octave the golden ratio reaches the proportion of 13:8 and that was a Fibonacci number.  They would have also known that  13: 8 is also located very near yet another golden ratio as a fraction between the major and minor 6th intervals.  This proportion begins the natural harmonic dampening region that spirals inward along the Fibonacci series towards the octave golden ratio.  Esoteric knowledge of harmonic principles like this was not uncommon among alchemists and natural philosophers in the 15th century, through word of the golden ratio as a silencing action in sound and its central role in harmonic formation was a well kept secret.….

 

Excerpt from the book Interference by Richard Merrick.

 

Frequency

Is the number of occurrences of a repeating event per unit time. It is also referred to as temporal frequency, which emphasizes the contrast to spatial frequency and angular frequency. The period is the duration of time of one cycle in a repeating event, so the period is the reciprocal of the frequency. Frequency is an important parameter used in science and engineering to specify the rate of oscillatory and vibratory phenomena, such as mechanical vibrations, audio (sound) signals, radio waves, and light.

 

Fullerene

Is a molecule of carbon in the form of a hollow sphere, ellipsoid, tube, and many other shapes. Spherical fullerenes are also called Buckminsterfullerenes (buckyballs), and they resemble the balls used in football (soccer). Cylindrical ones are called carbon nanotubes or buckytubes. Fullerenes are similar in structure to graphite, which is composed of stacked graphene sheets of linked hexagonal rings; but they may also contain pentagonal (or sometimes heptagonal) rings. The discovery of fullerenes greatly expanded the number of known carbon allotropes, which until recently were limited to graphite, graphene, diamond, and amorphous carbon such as soot and charcoal. Buckyballs and buckytubes have been the subject of intense research, both for their unique chemistry and for their technological applications, especially in materials science, electronics, and nanotechnology.

 

Golden Ratio

In mathematics, two quantities are in the golden ratio if their ratio is the same as the ratio of their sum to the larger of the two quantities. It is Phi or 1.6180339887…The golden ratio is also called the golden mean or golden section (Latin: sectio aurea). Other names include extreme and mean ratio, medial section, divine proportion, divine section (Latin: sectio divina), golden proportion, golden cut, and golden number. Some twentieth-century artists and architects, including Le Corbusier and Dalí, have proportioned their works to approximate the golden ratio—especially in the form of the golden rectangle, in which the ratio of the longer side to the shorter is the golden ratio—believing this proportion to be aesthetically pleasing. The golden ratio appears in some patterns in nature, including the spiral arrangement of leaves and other plant parts.

Mathematicians since Euclid have studied the properties of the golden ratio, including its appearance in the dimensions of a regular pentagon and in a golden rectangle, which may be cut into a square and a smaller rectangle with the same aspect ratio. The golden ratio has also been used to analyze the proportions of natural objects as well as man-made systems such as financial markets.

 

Harmonia

An ancient term used in music and by Hans Kayser for the title of the book Harmonia Planetarium, 1943.  It is the study of harmonics.  In its strictest sense it describes any member of the harmonic series. The term is employed in various disciplines, including music and acoustics, electronic power transmission, radio technology, etc. It is typically applied to repeating signals, such as sinusoidal waves. A harmonic of such a wave is a wave with a frequency that is a positive integer multiple of the frequency of the original wave, known as the fundamental frequency. The original wave is also called 1st harmonic, the following harmonics are known as higher harmonics. As all harmonics are periodic at the fundamental frequency, the sum of harmonics is also periodic at that frequency.

 

Hexagrams

The I-Ching book consists of 64 hexagrams. A hexagram is a figure composed of six stacked horizontal lines (yáo), where each line is either Yang (an unbroken, or solid line), or Yin (broken, an open line with a gap in the center). The hexagram lines are traditionally counted from the bottom up, so the lowest line is considered line one while the top line is line six. Hexagrams are formed by combining the original eight trigrams in different combinations. Each hexagram is accompanied with a description, often cryptic, akin to parables. Each line in every hexagram is also given a similar description.

 

I-Ching

The I Ching, or Classic of Changes, is an ancient divination text and the oldest of the Chinese classics. Possessing a history of more than two and a half millennia of commentary and interpretation, the I Ching is an influential text read throughout the world, providing inspiration to the worlds of religion, psychoanalysis, business, literature, and art. Originally a divination manual in the Western Zhou period (1000–750 BC), over the course of the Warring States period and early imperial period (500–200 BC) it was transformed into a cosmological text with a series of philosophical commentaries known as the "Ten Wings." After becoming part of the Five Classics in the 2nd century BC, the I Ching was the subject of scholarly commentary and the basis for divination practice for centuries across the Far East, and eventually took on an influential role in Western understanding of Eastern thought.

 

King Wen Arrangement

It is also known as the Later Heaven sequence or the Manifested Bagua, The Lo (River) Chart (Luoshu) and refers to the order of change in the manifest world, embodying the cycle of birth and death, the day, and as well as the 24 Jieqi (jieqi: 24 seasonal markers, which follow the solar year, see: Chinese Calendar), time, anatomy, geography, geomancy, astrology, and astronomy.

Another philosophical description of the source of the bagua is the following by King Wen of the Zhou Dynasty (1122-256 BC): 'When the world began, there was heaven and earth. Heaven mated with the earth and gave birth to everything in the world. Heaven is Qian-gua, and the Earth is K'un-gua. The remaining six guas are their sons and daughters’. Some trigrams are also among the Five Elements of Wu Xing: Water and Fire. The element of Earth corresponds with both, the trigrams of Earth and Mountain. The element of Wood corresponds with the trigrams of Wind (as a gentle but inexorable force that can erode and penetrate stone) and Thunder. The element of Metal corresponds with the trigrams of Sky (Heaven) and Lake (Marsh). There are two cycles.  The cycle of creation: wood feed water, fire makes earth, earth creates metal, metal collects water and water nourishes wood. The cycle of destruction: wood breaks the earth, fire melts metal, earth absorbs water, metal splits wood and water extinguishes fire.

 

Longitudinal Waves

Also known as "l waves", are waves in which the displacement of the medium is in the same direction as, or the opposite direction to, the direction of travel of the wave. Mechanical longitudinal waves are also called compressional waves or compression waves, because they produce compression and rarefaction when traveling through a medium.

 

Physical Radiesthesia

It is also known Microvibrational Physics, as they (the French researchers Chaumery and Belizal in the 1930’s and late 1940’s) called their science to differentiate it from the widely popularized Mental Radiesthesia, which was a form of Dowsing based on the operators interaction with his subconscious, in a form of psychic activity, which was prone to autosuggestion, and was therefore not very accurate for scientific work. They based their work on the meticulous study of Egyptian temple sciences. The French researchers lay the basis for what they called "Ondes de Forme" which means "Energy of Shape". They were soon eclipsed by the proponents of Mental Radiesthesia or Dowsing, and there work was forgotten except for a few researchers here and there.

- Ibrahim Karim

 

Planes of Existence

In esoteric cosmology, a plane other than the physical plane is conceived as a subtle state of consciousness that transcends the known physical universe. The concept may be found in religious and esoteric teachings—e.g. Vedanta (Advaita Vedanta), Ayyavazhi, shamanism, Hermeticism, Neoplatonism, Gnosticism, Kashmir Shaivism, Sant Mat/Surat Shabd Yoga, Sufism, Druze, Kabbalah, Theosophy, Anthroposophy, Rosicrucianism (Esoteric Christian), etc.—which propound the idea of a whole series of subtle planes or worlds or dimensions which, from a center, interpenetrate themselves and the physical planet in which we live, the solar systems, and all the physical structures of the universe. This interpenetration of planes culminates in the universe itself as a physical structured, dynamic and evolutive expression emanated through a series of steadily denser stages, becoming progressively more material and embodied. The emanation is conceived, according to esoteric teachings, to have originated, at the dawn of the universe's manifestation, in The Supreme Being Who sent out—from the unmanifested Absolute beyond comprehension—the dynamic force of creative energy, as sound-vibration ("the Word"), into the abyss of space.

 

Refraction

The phenomenon is explained by the conservation of energy and the conservation of momentum. Due to the change of medium, the phase velocity of the wave is changed but its frequency remains constant. This is most commonly observed when a wave passes from one medium to another at any angle other than 0° from the normal. Refraction of light is the most commonly observed phenomenon, but any type of wave can refract when it interacts with a medium, for example when sound waves pass from one medium into another or when water waves move into water of a different depth.

 

Subtle Bodies

Is one of a series of psycho-spiritual constituents of living beings, according to various esoteric, occult, and mystical teachings. According to such beliefs each subtle body corresponds to a subtle plane of existence, in a hierarchy or great chain of being that culminates in the physical form.

 

supra-sensible

Not perceptible by the senses; beyond the experience of the material world.

 

Tao/Dao

Is a Chinese word signifying 'way', 'path', 'route', or sometimes more loosely, 'doctrine' or 'principle'. Within the context of traditional Chinese philosophy and religion, the Tao is the intuitive knowing of "life" that cannot be grasped full-heartedly as just a concept but is known nonetheless through actual living experience of one's everyday being. The Tao differs from conventional (Western) ontology in that it is an active and holistic practice of the natural order of Nature and its universal awakening, rather than a static, atomistic one. Laozi in the Tao Te Ching explains that the Tao is not a 'name' for a 'thing' but the underlying natural order of the Universe whose ultimate essence is difficult to circumscribe due to it being non conceptual yet evident' in one's being of aliveness. The Tao is "eternally nameless”  and to be distinguished from the countless 'named' things which are considered to be its manifestations, the reality of life before its descriptions of it. The Tao lends its name to the religious tradition and philosophical tradition that are both referred to in English with the single term Taoism.

 

Telluric Patterns

Relating to  an electric current which is detected near the earth’ surface; influence of this current on the habitat and the inhabitants. Reference:  M. Metler  - Netzgitter - Handbuch (1982),  Stephan Cardinaux - Geometries Sacred Tome 1 & 2 (2004).

 

Hartmann/Nickle grid lines 1954:

Discovered by the physician Ernst Hartmann in 1954 and described in detail in his book Krankheit als Standortproblem (Illness as a Location Problem), the Hartmann grid is associated with the Earth’s magnetic field. Its lines measure between 8 and 12 inches in width approximately. These lines are spaced about 6 feet apart in the north-south direction and about 10 feet apart in the east-west direction. However, these values can vary immensely depending on geographical location The Hartmann grid is often referred to as a global grid. In his book, Hartmann provides clear evidence for the pathogenic character of the grid.

 

Palm/Copper grid lines: sized 6.5 m East-West by 5 m North South and  36cm (14”) thick

 

Peyre/Gold grid system, before 1937:

Discovered by Dr Fracios Peyre, they are rectangular grid system 7 (22.96 ft.) in the East West direction and 6.5 m  (21.32 ft.) in the North-South direction and 40 cm (15.7”) thick.

 

Cracks and Crevices

Cracks and crevices in the rock of our inner Earth are called rock fractures. They are like openings and passages that allow natural terrestrial radiation to reach the surface easily. Different rock layers have different fields of electrical voltages. When a rock breaks, it causes these layers to move, which results in higher concentrations of electromagnetic radiation on the Earth’s surface.

 

Faults

Faults are interconnected layers of earth that extend over several hundred meters. Caused by volcanoes or by glaciers during the Ice Age, faults usually occur in or adjacent to medium to high mountains. When different layers of rock merge and react to one another, the interaction of varying electrical conditions and terrestrial radiation creates intense energetic influences.

 

Wissmann/Aluminum grid lines 1952:

Discovered by German Doctor Wissman, they are a diagonal grid system 10 m x 10 m (32’9.7”)  and 50 cm (19.5”)  thick. They are the  result of radiation from the earth’s interior.

 

Underground Water Veins

Water veins run underground and when we think about the water cycle on earth, we usually think about rain, rivers, lakes, and the sea. Rivers, lakes and the sea make up the Earth’s surface water. But there is also a great deal of water underground. Rainwater seeps into the ground and continues its journey underground. If it doesn’t resurface as spring water, then it collects underground to form bodies of groundwater.

 

Note :Chimneys and Spirals are cosmotelluric in nature and bridge both origins of energy.  They can be either positive or negative in nature.

 

Traditional Chinese Medicine/TCM

Is a style of traditional Asian medicine informed by modern medicine but built on a foundation of more than 2,500 years of Chinese medical practice that includes various forms of herbal medicine, acupuncture, massage (tui na), exercise (qigong), and dietary therapy. It is primarily used as a complementary alternative medicine approach. TCM is widely used in China and is becoming increasingly prevalent in Europe and North America. One of the basic tenets of TCM holds that the body's vital energy (chi or qi) circulates through channels, called meridians, that have branches connected to bodily organs and functions." Concepts of the body and of disease used in TCM reflect its ancient origins and its emphasis on dynamic processes over material structure, similar to European humoral theory.

 

wavelength

In physics, the wavelength of a sinusoidal wave is the spatial period of the wave—the distance over which the wave's shape repeats, and the inverse of the spatial frequency. It is usually determined by considering the distance between consecutive corresponding points of the same phase, such as crests, troughs, or zero crossings and is a characteristic of both traveling waves and standing waves, as well as other spatial wave patterns. Wavelength is commonly designated by the Greek letter lambda (λ). The term wavelength is also sometimes applied to modulated waves, and to the sinusoidal envelopes of modulated waves or waves formed by interference of several sinusoids. Assuming a sinusoidal wave moving at a fixed wave speed, wavelength is inversely proportional to frequency of the wave: waves with higher frequencies have shorter wavelengths, and lower frequencies have longer wavelengths. Wavelength depends on the medium (for example, vacuum, air, or water) that a wave travels through.

 

Xiantian/Pre-Heaven or Fu Xi Arrangement

In Xiantian Bagua, also known as Fu Xi Bagua or Earlier Heaven Bagua, the Heaven is in the higher part and the Earth is in the lower part. The trigram Qian (Heaven) is at the top, the trigram Kun (Earth) is at the bottom (in the past, the South was located at the top in Chinese maps). The trigram Li (Fire) is located on the left and opposite to it is the trigram Kan (Water). Zhen (Thunder) and Xun (Wind) form another pair, while being one opposite the other, the first on the bottom left next to Li while the second is next to Qian on the top right of the Bagua. Gen (Mountain) and Dui (Lake) form the last pair, one opposite the other, both in balance and harmony. The adjustment of the trigrams is symmetrical by forming exact contrary pairs. They symbolize the opposite forces of Yin and Yang and represent an ideal state, when everything is in balance.

 

Yin and Yang

In Chinese philosophy, yin and yang describe how seemingly opposite or contrary forces may actually be complementary, interconnected, and interdependent in the natural world, and how they may give rise to each other as they interrelate to one another. Many tangible dualities (such as light and dark, fire and water, expanding and contracting) are thought of as physical manifestations of the duality symbolized by yin and yang. This duality lies at the origins of many branches of classical Chinese science and philosophy, as well as being a primary guideline of traditional Chinese medicine,[1] and a central principle of different forms of Chinese martial arts and exercise, such as baguazhang, taijiquan (t'ai chi), and qigong (Chi Kung), as well as appearing in the pages of the I Ching. Duality is found in many belief systems, but Yin and Yang are parts of a Oneness that is also equated with the Tao. A term has been coined dualistic-monism or dialectical monism. Yin and yang can be thought of as complementary (rather than opposing) forces that interact to form a dynamic system in which the whole is greater than the assembled parts.[2] Everything has both yin and yang aspects, (for instance shadow cannot exist without light). Either of the two major aspects may manifest more strongly in a particular object, depending on the criterion of the observation. The yin yang (i.e. taijitu symbol) shows a balance between two opposites with a portion of the opposite element in each section. In Taoist metaphysics, distinctions between good and bad, along with other dichotomous moral judgments, are perceptual, not real; so, the duality of yin and yang is an indivisible whole. In the ethics of Confucianism on the other hand, most notably in the philosophy of Dong Zhongshu (c. 2nd century BC), a moral dimension is attached to the idea of yin and yang.

 

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